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Slumdog Millionaire and Poverty Tourism

Last weekend I saw the movie Slumdog Millionaire. Have you heard of it? If you haven’t by now, you surely will soon. Just this week it was nominated for several Oscars, including Best Picture. (By the way, in case you were wondering, I think it should win Best Picture.)

Slumdog Millionaire tells the story of Jamal Malik, an orphan from the Mumbai slum who gets a chance to compete on India’s version of TV’s Who Wants to Be a Millionaire? (For those of you who are worried about a spoiler, don’t be. In the opening scene you find out that he makes it to the final question.)

Of course he is accused of cheating, as everyone assumes there is no way that someone from the slum could know the answers to so many trivia questions. The movie shows Jamal’s life in a series of flashbacks based on the game show questions, and explains how he knew the answer to each question.

It’s a fascinating concept for a movie. Thought-provoking, funny and often heart-wrenching, it is superbly executed.

Anyway, going into the movie, I had a rough idea of what it was about: a young man from the slums of India. Based on that, I figured that there would be a certain amount of poverty-related imagery. What I didn’t expect, though, was how deeply I was affected by the slum scenes.

Scenes of Jamal’s life reveal abuse, prostitution, drugs, violence … all the circumstances that typically characterize a life in poverty. Though it was a necessary part of the story and none of it was gratuitous, at times it was difficult to watch.

I found myself wondering what others in the theater were thinking. Was this the first time that some people in the theater have seen poverty like that? Did they realize they were seeing reality or did they think it was “Hollywood-ized”? Were they as profoundly affected as I was?

Then today a friend sent me this article about slum tours in India. Apparently the success of the movie has led to an increased interest in the “slum tourism” business in India. People see the movie and then want to see the “real thing.” The article contrasts the movie to the real-life slum tour:

While the show offers Jamal a route out of the gutter, the tour makes a beeline for the squalor from which his real-life equivalents strive to escape: the excursion’s “highlights” include a stop at a stall of six toilets that serves 16,000 people and a stroll alongside a river so black and septic that it oozes rather than flows.

I mean, really?? Ridiculously overcrowded toilet facilities are an “attraction”? I have a hard time accepting that people actually pay to see that.

For those of you who’ve been around here a while, you might remember our previous discussion about poverty tourism. This article showed me how conflicted I still am about this idea.

On the one hand, I think these poverty tourists are despicable for engaging in this overt exploitation of other people’s suffering. On the other hand, they are getting a close-up, powerful (and hopefully life-changing) view of poverty that few get the chance to experience.

So here is a question for you to ponder …

In the case of poverty tourism, does the end justify the means?

In other words, is it worth exploiting the poor in their helpless, and often hopeless, situation if it ultimately changes someone’s heart towards the poor?

I’d really like to hear your thoughts on this one.

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